"When I think about the conventions of painting -- a tradition I respect immensely -- I notice that my concern has always been with the interplay of light and structure," says artist Stephen Magsig. "Light, since it defines everything, is what my work is about -- how light changes things, how it inflects the surfaces of places we imagine for ourselves and inhabit, like sunlight touching a window sill, illuminating and creating contrasts and shadows."
Working with images he personally photographs, Magsig looks for crucial details in both the highlights and the shadows, in the brightness and obscurity of each scene. The artist says, "I get caught up in the mix of organic and non-organic human signs: the color of loaves of bread in an Italian bakery window, the reflections of facades in the car’s windshield, the abstracted angles of cornices and architectural detail." New Yorkers will recognize many of the scenes Magsig paints, yet the universal appeal is the atmosphere and mood which attracts those for whom the images hold no personal significance
Stephen Magsig lives and works in Detroit, Michigan.
April 23 - May 25, 2013
Reception April 25, 2013 6 - 8 pm
George Billis Gallery
New York, NY
FRAMING SPECIFICATIONS AND ADVICE
Deep Floating Profile: 121
Type: floating frame for 1-1/2" deep canvas paintings
Wood & Finish: maple wood frame with black opaque finish
Purchasing Options: joined wood frame
Framing Advice: fitting floating frames