Eugene Richards: The Run-On of Time at George Eastman Museum

For more than forty years, photographer Eugene Richards has explored complicated subjects such as racism, poverty, emergency medicine, drug addiction, cancer, family, aging, the effects of war and terrorism, and the depopulation of rural America. Until now, his work has been known primarily through international news and media outlets, for which he created images on…

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STILLNESS: DRAWINGS BY SKIP STEINWORTH at Evansville Museum

I can’t remember a time when I wasn’t making drawings. Some of my earliest memories are from family summer vacations at my parent’s friends’ lake cabin, watching my father sketch the dock or the boat house or the potbellied stove. To me, it seemed like magic; I wanted to be able to do it myself. For…

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Tom Bamberger “Hyperphotographic” at Museum of Wisconsin Art

For the first time in history, the Museum of Wisconsin Art (MOWA) will dedicate all four of its changing exhibition spaces to the work of a single artist – Tom Bamberger. Hyperphotographic is Bamberger’s first major retrospective which will feature more than 100 photographs – some up to 35’ in scale. MOWA will open the…

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David Wiesner & The Art of Wordless Storytelling at Santa Barbara Museum Of Art

David Wiesner & The Art of Wordless Storytelling is the first comprehensive retrospective devoted to this internationally recognized master of the picture book. The exhibition includes nearly 70 original watercolors handmade by David Wiesner (b. 1956) for nine of his most famous books, including three for which he won the prestigious Caldecott Medal: Tuesday (1992),…

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Virginia Beahan at Joslyn Art Museum

Virginia Beahan’s photographs tell a story that is at once demanding, joyous, surprising, and painful. In the fall of 2002, Beahan and her husband helped her 88-year-old mother, Jeanne Cadwallader, sell her house in Yardley, Pennsylvania, and moved her to their home in rural New Hampshire. In failing health, her mother’s doctors believed she would…

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VOSTELL CONCRETE 1969–1973 at Smart Museum of Art

In the late 1960s and early 1970s, Fluxus co-founder Wolf Vostell (1932–1998) used concrete as an actual material and an artistic motif in a surprising, unique body of work that includes the colossal sculpture Concrete Traffic. David Katzive, installation view of Wolf Vostell’s Concrete Traffic, January 1970. (Collection of the Museum of Contemporary Art Chicago.…

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Rineke Dijkstra: Rehearsals and The Lives of Other: Portraits from the Photography Collection at Milwaukee Art Museum

  Over the past 30 years, Dijkstra has produced a sensitive and eloquent body of photographic and video work. In her large-scale photographs and video installations, she is particularly interested in moments of transition, especially adolescence, a time when individuals build their own identities and begin to present themselves in the way they wish to…

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