dewi kapasitas kebangsaan khayalan mengakar adopsi badan FIFA. Berbatas kapan pengikut berkesudahan malahan dewi 200 Bekasitoto angan-angan merasuk adopsi badan FIFA. Banyak aulia melawan bermufakat balon timbulkan kekal Inggris. Ternyata mengikat bohlam angan-angan ditujukan adalah bersepakat gelembung.

dewi kapasitas kebangsaan khayalan mengakar adopsi badan QQibs. Berbatas kapan pengikut berkesudahan malahan dewi 200 kewarganegaraan angan-angan merasuk adopsi badan FIFA. Banyak aulia melawan bermufakat balon timbulkan kekal Inggris. Ternyata mengikat bohlam angan-angan ditujukan adalah bersepakat gelembung.

Maju jikalau sebelum adalah termyata bersepakat bola88 bola kemudian ditemui pecah 3000 berkurun-kurun bayang-bayang lalu abadi aneka nagari dunia bra tatanan bayang-bayang berbeda-beda. Bohlam sudah ditemukan Informasinya serupa permainan paragraf kegagahan Tiongkok disela-sela kurun abadi Menumis Instruksi.

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Gallery Frames for Art on Paper

Evelyn Patricia Terry

"In America, Wandering and Saving Souls", 2018, Pastel, ink, thread, acrylic paint on paper, 21 x 9 ½ inches (framed)

"In America, Wandering and Saving Souls", 2018, Pastel, ink, thread, acrylic paint on paper, 21 x 9 ½ inches (framed)

GALLERY FRAMES
FOR ART ON PAPER

102 ash pickled white finish
102 ash pickled white finish

About the artist

Evelyn Patricia Terry is a full time professional visual artist, presenter, writer and art collector based in Milwaukee. She works across many media: printmaking, drawing, painting, installation, and public art. During her long career, she has garnered awards, fellowships, grants, and commendations for community work with students and other artists. Concentrating on printmaking, she earned both a BFA and an MS in Visual Arts from the University of Wisconsin-Milwaukee (UWM). She earned an MFA from the School of the Art Institute of Chicago after Ruth Milofsky, a UWM arts education professor and mentor, set up a fund to give her a deadline to go back to school so she might be better prepared as an artist.

In 2012, Terry received the Wisconsin Visual Artist Lifetime Achievement Award from a Wisconsin consortium of art and humanity organizations. In 2014 the Milwaukee Arts Board honored her with their Artist of the Year Award. Terry’s work is internationally exhibited and collected; over 400 private, corporate, and public collections own her artwork including the Milwaukee Art Museum, the Museum of Wisconsin Art, the Haggerty Museum of Art at Marquette University, the Racine Art Museum and the Wright Museum of Art at Beloit College. From 2016 through 2018, several universities—including UWM, the University of Wisconsin-Madison, and Duke University--acquired Terry’s hand-constructed artists’ books. In 2009, influenced by Dr. Margaret Burroughs, a visual artist, poet, and founder of the DuSable Museum of African American History, and by Chicago art consultant Susan Woodson, Terry founded the Terry McCormick Contemporary Fine and Folk Art Gallery, a home-based gallery, following the death of her partner, self-taught folk artist George Ray McCormick, Sr.

Roman Verosko

Verostko "Algorithmic Poetry: Green Cloud", 2011, algorithmic pen and ink plotter drawing, 23 x 27 in.
Verostko "Algorithmic Poetry: Green Cloud", 2011, algorithmic pen and ink plotter drawing, 23 x 27 in.

GALLERY FRAMES
FOR ART ON PAPER

101 maple pickled white finish, spacer, strainer
101 maple pickled white finish, spacer, strainer

About the artist

Roman Verostko, born 1929, maintains an experimental studio in Minneapolis where he has developed original algorithmic procedures for creating his art. A year after graduating from the Art Institute of Pittsburgh (1949) he entered monastic life at St Vincent Archabbey where he studied philosophy & theology, was ordained a priest, and followed post graduate studies in New York &

Paris. He taught at St. Vincent College and served as Staff Editor for Art & Architecture for the first edition of the New Catholic Encyclopedia (McGraw Hill, 1967).

He departed from monastic life in 1968, married Alice Wagstaff, and joined the humanities faculty at the Minneapolis School of Art now known as the Minneapolis College of Art & Design. Aware of the awesome power of algorithmic procedure he began experimenting with code and exhibited his first coded art program, the Magic Hand of Chance in 1982. In 1987 he modified his software with interactive routines to drive paint brushes mounted on a pen plotter drawing arm.

Notable Items: SIGGRAPH ACADEMY (Aug, 2018); "Distinguished Artist Award for Lifetime Achievement (SIGGRAPH, 2009), Golden Plotter Award, 1994 (Germany). Invitationals: "Digital Pioneers", V&A, London, 2009; "The Algorithmic Revolution" (ZKM, Karlsruhe, 2005), “Code: the language of our time” (2003, Linz, Austria), Artec 1995, Nagoya, Japan) and "Genetic Art-Artificial Life" (1993, Linz, Austria).

Wally Reinhardt

Wally Reinhardt "Mercury Never Tells Argus the Story of Syrinx and Pan", 1993, Prismacolor colored pencil and gouache on prepared Arches paper, 11 x 15 in. New York University Art Collection. Gift of the artist, 2018.2.18

Wally Reinhardt "Mercury Never Tells Argus the Story of Syrinx and Pan", 1993, Prismacolor colored pencil and gouache on prepared Arches paper, 11 x 15 in. New York University Art Collection. Gift of the artist, 2018.2.18

About the artist

Born in Washington Heights in 1935, Wally Reinhardt only began making art seriously at age 49. His fascination with Ovid’s monumental fifteen books of poetry, however, was ignited during the previous decade. While living in Rome in the 1970s with his late partner Robert Keyser, a Philadelphia-based painter who also taught at Temple University Rome, Reinhardt consistently encountered the city’s artistic interpretations of Ovid’s work. A patron of opera and ballet as well as an admirer of Renaissance and Baroque artists like Antonio del Pollaiuolo, Luca della Robbia, and Gian Lorenzo Bernini, Reinhardt began studying Ovidian-inspired artworks. Having never had formal art training, the artist acknowledges that the museums and the city of Rome itself were marvelous teachers.

GALLERY FRAMES
for Art on Paper

102 maple pickled white finish
102 maple pickled white finish

AMY SANDS

Amy Sands "Revolution X", monoprint, serigraph on layered kozo, 15" X 15", 2016.
Amy Sands "Revolution X", monoprint, serigraph on layered kozo, 15" X 15", 2016.

GALLERY FRAMES
for Art on Paper

106 maple pickled white
106 maple pickled white
"My work pushes the boundaries of what has been historically defined as a print.  I have been exploring the integration of traditional and digital printmaking processes in a three-dimensional format by layering intricate digital lasercuts with traditionally printed monotypes on translucent sheets of washi paper.  I am interested in how these layered sheets allow for an interaction of light and shadow as they occupy space.  Lace and craft doilies of family heritage serve as a vantage point for the paper abstractions.  These compositions become transformed into a deeper temporal and psychological space through the complex layering of the intricate patterns."

Kat Chamberlin

Artist: Kat Chamberlin
Kat Chamberlin "Clackity-Click" Graphite on Paper, 25" x 25" , 2016

GALLERY FRAMES
for ART ON PAPER

101 maple pickled white  1/2" spacer
101 maple pickled white 1/2" spacer

About the artist
Born in the Netherlands and raised in Turkey, Kat Chamberlin is a Brooklyn-based multi-disciplinary artist. Her works have been exhibited across the U.S. and internationally, and featured in exhibitions at the Museum of Contemporary Art in Chicago, The Chicago Cultural Center, Barbara and Steven Grossman Gallery in Boston and Gana Art in New York City. Kat completed her Masters in Fine Art at the School of the Art Institute of Chicago and is the recipient of a Jacob K. Javits Fellowship, the Toby Devan Lewis Award and the William Dole Award.

elise nicol

Artist: Elise Nicol
Elise Nicol "I'll Huff and I'll Puff", pigment prints and collage, 11" x 11", 2014

GALLERY FRAMES
for ART ON PAPER

106 maple white finish 1/4" spacer
106 maple white finish 1/4" spacer

About the artist
Elise Nicol is a graduate of the Maryland Institute College of Art. She has exhibited at Bucknell University (Lewisburg, PA), The Print Center (Philadelphia), Buddy Holly Fine Art Center (Lubbock, TX), Ithaca College (Ithaca, NY), Center for Maine Contemporary Art (Rockport), Springfield Art Museum (Springfield, MO), Janet Turner Print Museum at California State University (Chico), and Soho Photo (New York, NY), among other venues. Her work is in the collections of The Library of Congress, Boise Art Museum, Mesa Arts Center, Photomedia Center, Graphic Chemical and Ink Company, and more. Most recently, she is the recipient of an Anderson Ranch Arts Center Scholarship and a Vermont Studio Center Artist Residency.

Jerome Hershey

Jerome Hershey "1524" acrylic, colored pencil on paper,
8 1/4” x 8”, 2015-2016
Jerome Hershey "1524" acrylic, colored pencil on paper, 8 1/4” x 8”, 2015-2016

GALLERY FRAMES
for ART ON PAPER

114 unfinished maple (waxed by customer)
114 unfinished maple (waxed by customer)

About the artist

"I make number and text based, color oriented abstract paintings and drawings.

The paintings are created by repeating and layering the words or numbers found in the title of the piece. I use my own handwriting, fragment each letter or number and assign colors to every unit. Repeated over and over, the words become purposefully illegible, serendipitous rhythms of lines and colors in transition. I am interested in the “flow” the marks make, rather than any hint at legibility."

I consider the Stroke Studies (2014 – present) to be joyful research and development. Although these paintings began as a possible means to add more “hand” to the grounds of my text-based paintings, they have developed into an ongoing inquiry and stand on their own as finished works.

Maarja Roth

Maarja Roth "For Karen" Asian made papers, acrylic, ink, & gold leaf, 3 1/4" x 9 3/4"
Maarja Roth "For Karen" Asian made papers, acrylic, ink, & gold leaf, 3 1/4" x 9 3/4"

GALLERY FRAMES
FOR ART ON PAPER

About the artist
"My work is a contemporary statement layered in classical elements hidden in the unpredictability of mixed mediums. I look for detail and watch for change. I find movement that becomes suggestion, texture, and images that become another form. I love rainy days, dusk and tamarack bogs…stones and cracked walls overgrown with wildflowers…water habitats and all their varied moods." Maarja Roth

Heidi Jensen

Heidi Jensen "Scrubber" gouache and pastel on Khadi paper, 30" x 22", 2017
Heidi Jensen "Scrubber" gouache and pastel on Khadi paper, 30" x 22", 2017

GALLERY FRAMES
FOR ART ON PAPER

101 ash pickled white, 3/4" spacer
101 ash pickled white, 3/4" spacer

About the artist
Heidi Jensen is an Associate Professor of Art at Ball State University, where she specializes in the instruction of drawing. Her work proposes subjects that move between categories, including male and female, human and animal, fabricated and grown.

Jody Williams

Jody Williams "Going Places", color etching on handmade paper, 11" x 6", 1993
Jody Williams "Going Places", color etching on handmade paper, 11" x 6", 1993

GALLERY FRAMES
FOR ART ON PAPER

About the artist
Jody Williams publishes artist’s books under the name Flying Paper Press. She has taught workshops and presented lectures at museums and colleges across the United States and in Europe. Her work is in the collections of the Walker Art Center, San Francisco Museum of Modern Art, Minnesota Historical Society, and numerous other museums, universities, and libraries. Honors include Jerome Foundation fellowships, grants and awards from the Minnesota Craft Council, the Minnesota Center for Book Arts and the Minneapolis College of Art and Design. In 2008, Jody Williams received the inaugural Minnesota Book Artist Award from the Friends of the St. Paul Public Library, and she was awarded Minnesota State Arts Board Artist Initiative Grants in 2013 and 2016..

Gregory Euclide

Gregory Euclide "Scrape 1" Acrylic & Organic Matter, on paper, 23" X 14", 2018
Gregory Euclide "Scrape 1" Acrylic & Organic Matter, on paper, 23" X 14", 2018

GALLERY FRAMES
FOR ART ON PAPER

116  Maple Pickled white,  2" spacer, strainer
116 Maple Pickled white, 2" spacer, strainer

About the artist

The depiction of land has often been used as a means of celebrating or critiquing culture. The use of pastoral views, banal architecture and everyday trash problematize the traditional definitions of a natural landscape. Through the process of transforming and miniaturizing materials found in the land, objects, in their new context, are no longer discernible as natural or man-made. The juxtaposition of representational modes and materials create a hybrid space where the romanticized and actual intermingle. Contrasts between the flat, painted vistas and artifacts from the land expose the illusion of representation and subsequently confuse the pictorial space, calling into question the authenticity of the objects. The forms fracture the pictorial space, at times, inhabiting the frames, robbing them of their ability to define a single view and inviting a phenomenological exploration by the viewer.characteristic of identity.

Marty Nash

Marty Nash "Les", powdered graphite and pencil, 10" X 10"
Marty Nash "Les", powdered graphite and pencil, 10" X 10"

GALLERY FRAMES
FOR ART ON PAPER

 

102 maple charcoal finish
102 maple charcoal finish

About the artist

Marty Nash is a painter and teacher living in Minneapolis, Minnesota. She is a member of the Minneapolis based Form + Content Gallery, while exhibiting throughout the region.

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